Today, The Dear Hunter – featuring multi-instrumentalist, vocalist and songwriter Casey Crescenzo – is premiering The Dear Hunter Live. The new album was recorded while the band was touring with accompaniment from a live string quartet and offers a truly spectacular sonic experience that showcases the band’s brilliant performance capabilities.

The ten track album is premiering now via Consequence of Sound.

Along with the surprise release of the album, which is out today on all digital retailers and available for physical pre-order via the band’s Official MerchNOW Store, The Dear Hunter has announced a full US tour with support from Equal Vision Records’ labelmates Northern Faces. All upcoming tour dates can be found below.

On the upcoming tour, The Dear Hunter will exclusively be performing songs from the band’s early releases: Act II and Act III – in celebration of the band’s exciting new announcement that their forthcoming full-length album will be the long awaited continuation of the band’s six album concept series chronicling the story of a boy at the turn of the century, only referred to as “The Dear Hunter”. Acts I – III were released between 2006 – 2009, before Crescenzo temporarily stepped away from the series to work on the critically acclaimed 2.5 hour, 9 EP, 36-track collection: The Color Spectrum, his latest full-length Migrant, and his own personal symphony Amour & Attrition.

The Dear Hunter will release Act IV later this year on Cave & Canary Goods, Casey Crescenzo’s imprint label within Equal Vision Records. A personal statement from Casey Crescenzo can be found below.


Having spent the better part of the last 6 months indoors, I’ve developed a bit of a necessary wall in regards to contact and communications, but I’ll do my best in this message to convey surreal internal musings with realistic external translation.

Within the past decade spent behind The Dear Hunter moniker, it would be foolish to say I haven’t swayed with the times, and that I hadn’t rubbed elbows with thoughts of giving into the tide. There has been an always open door behind me, suggesting me to do any number of things to appeal to wider and more quantifiable audiences. However, in times when this door seemed widest of all, I always felt the need to turn and push further away.

It’s a pretty old cliché – the story of a band gaining notoriety on something unique, or at the very least, something honestly themselves – trimming just enough off of who they are to fit the mold, then living out a life of diminishing creative return.

When I started The Dear Hunter, there were never any aspirations associated with fame, or sales… only aspirations associated with creative output, and a cohesive body of honest and progressive work, that at the very least could account as some sort of chronology of my creative life.

Along with that wish to constantly grow as a songwriter, came the desire to improve as a performer. This, at first, felt incredibly foreign to me – as someone who spent almost all of his time locked away creating (a very introverted behavior), the idea of such a social display was frightening. Anyone who witnessed the early shows for The Dear Hunter, can vouch for that palpable discomfort. Over time, I began to discover the live performance as an opportunity to create something new, and fleeting, each night – with an entirely different palette of instruments, both musical and human. Though the fear of the stage, and nervousness associated with outgoing interactions never left, a new feeling eclipsed them both – and with this grew the desire to improve. It was always a journey of some strange.

This is what I spend my time doing. My life is lovingly devoted to improving myself in all areas. Mental, emotional, physical, creative, metaphysical… I have always tried to take the same approach with The Dear Hunter, no matter how hard the adversity, whether personal or financial, I have only strived to make better art.

From this desire to grow, and through incredible fortune, I was given the opportunity to design a tour that I had never thought possible. A night devoted to performing with The Dear Hunter and a string quartet.

Luckily, Equal Vision Records was kind enough to furnish us with a system capable of multi tracking the entire tour – something we had never done before. While moments of hilarity exist (and they are wonderful), we’ve lovingly combed through these recordings to bring 10 tracks of this tour to the ears of any and all who might be interested. I hope that you feel, listening to the music, the love and excitement we felt performing.

I wanted to surprise our fans with this release, as it is my gift to you all, for supporting me over the years, and never giving up on me. Thank you, from the bottom of my heart, for your continued faith in The Dear Hunter.

I want to humbly ask you all to share this letter. Word of mouth has always been the lifeblood of this music, and the suggestions of good friends always outweigh a well-placed banner ad.

I leave you all now, scurrying back into my cave with my nose to the grindstone, preparing the next record for The Dear Hunter… It is coming along swimmingly, and I can’t wait to share it with you all. Please keep your eyes peeled for Act IV: Rebirth in Reprise, coming later this year.

The Dear Hunter Live
1. Bring You Down
2. The Procession
3. Shame
4. Girl
5. Home
6. The Thief
7. Mustard Gas
8. Progress
9. Where The Road Parts
10. Things That Hide Away

Casey Creszenzo (solo shows)
Apr 20 Salt Lake City, UT @ Kilby Court
Apr 23 DeKalb, IL @ The House Café
Apr 24 Pittsburgh, PA @ Cattivo

Acts Tour: The Dear Hunter w/ Northern Faces
May 05 Cambridge, MA @ The Sinclair **
May 06 Cambridge, MA @ The Sinclair ***
May 07 New York, NY @ Gramercy Theater **
May 08 New York, NY @ Gramercy Theater ***
May 12 Philadelphia, PA @ Union Transfer *
May 13 Washington, DC @ Rock and Roll Hotel *
May 15 Chicago, IL @ Bottom Lounge *
May 19 Denver, CO @ Marquis Theatre *
May 22 Pomona, CA @ The Glass House**
May 23 Los Angeles, CA @ Troubadour ***
May 24 San Francisco, CA @ The Independent *

* = Playing songs from Acts II and III
** = Playing Act II in its entirety
*** = Playing Act III in its entirety